Eleonora di Toledo (1522–1562)
ArtistWorkshop of
Agnolo Bronzino
Italian, 1503–1572
Datecirca 1560
Mediumoil on poplar panel, transferred to canvas
Dimensions46 3/8 x 34 7/8 in. (117.8 x 88.6 cm)
Frame: 65 3/4 x 54 3/8 in. (167 x 138.1 cm)
Frame: 65 3/4 x 54 3/8 in. (167 x 138.1 cm)
ClassificationsPaintings
Credit LineGift of Mrs. George Khuner
Object numberG.64.35.5
On View
Not on viewLondon, R.A., catalogue (1887), no. 137 (as Bronzino).
E. B. Chancellor, Private Places of London, Past and Present (London, 1908), 252 (as Bronzino).
Schulze, Die Werke Angelo Bronzinos (Strassbourg, 1911), xxi (as Bronzino).
The Holford Collection, Dorchester House (Oxford & London, 1927), I, no. 102, illus. pl. xcii (as Bronzino).
A. McComb, Agnolo Bronzino: His Life and Works (Cambridge, MA: 1928), 36.
Important Paintings and Drawings (auction catalogue) (New York: Parke-Bernet Galleries, Inc., 1948), lot no. 40, illus.
A. Emiliani, Il Bronzino (Busto Arizio, 1960), mentioned 68.
Edi Baccheschi, L’opera completa del Bronzino (Milano: Rissoli Editore, 1973), cat. no. 161, illus. 108, detail no. 154.
R. Simon, “Bronzino’s Portraits of Cosimo I de Medici,” (unpublished dissertation, Columbia University, NY 1982), 321.
K. Langedijk, The Portraits of the Medici, Vol. 2 (Florence: 1983), no. 76, illus.
Rikke Foulke, “Eleanora di Toledo by Workshop of Bronzino at North Carolina Museum of Art,” Richerche di storia dell’arte 87 (2005), 41–49, illus.
R. Bianiucci et al, “Eleonora of Toledo (1522–1562): Evidence for tuberculosis and leishmaniasis co-infection in Renaissance Italy,” in International Journal of Paleopathology 2, no. 4 (December 2012), illus. (color) 232.
Exhibition HistoryExhibition catalogue, Art of the Medici (1939), illus. 113 (as Bronzino).
Exhibition catalogue, Loan Exhibition of Masterpieces of Painting, February 5-March 8, 1942, no. 112, (as Bronzino).
San Francisco, CA, Palace of the Legion of Honor, "Vanity Fair," 1942, cat. (as Bronzino).
Richmond, VA, Virginia Museum of Fine Arts, "Exhibition of Portraits of Six Centuries," 1947 (as Bronzino).
Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
Master of San Torpé
circa 1300–1310
Benvenuto di Giovanni
circa 1476–1478
Giovanni Antonio da Pordenone
circa 1515–1517
Raphael (Raffaello Sanzio or Santi)
1502–1503
Prospero Fontana
circa 1551–1556
Master of the Bologna Polyptychs
circa 1320
Guariento di Arpo
circa 1360
Master of the Bologna Polyptychs
circa 1320
