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Leaf from Die Legend des heyligen Vatters Francisci (Legenda maior) by Bonaventure of Bagnaregio (1260-63): Chapter 8, “Those Freed from Various Illnesses”; Imprint: Printed in Nuremberg by Hieronymus Höltzel for the heirs of Caspar Rosentaler, April 7, 1512
Leaf from Die Legend des heyligen Vatters Francisci (Legenda maior) by Bonaventure of Bagnaregio (1260-63): Chapter 8, “Those Freed from Various Illnesses”; Imprint: Printed in Nuremberg by Hieronymus Höltzel for the heirs of Caspar Rosentaler, April 7, 1512

Leaf from Die Legend des heyligen Vatters Francisci (Legenda maior) by Bonaventure of Bagnaregio (1260-63): Chapter 8, “Those Freed from Various Illnesses”; Imprint: Printed in Nuremberg by Hieronymus Höltzel for the heirs of Caspar Rosentaler, April 7, 1512

Printer Hieronymous Höltzel German, active 1502–circa 1525
Author Bonaventure of Bagnoregio (Giovanni di Fidanza) Italian, circa 1217–1274
Artist Wolf Traut German, 1486–1520
DateApril 7, 1512
MediumInk on paper, woodcut
Dimensions7 x 5 in. (17.8 x 12.7 cm)
ClassificationsBook Arts
Credit LinePurchased with funds from the State of North Carolina
Object number62.1.1/8
On View
Not on view
Label TextThe theologian Bonaventure of Bagnoregio, who led the Franciscan order from 1257
to 1274, was Saint Francis of Assisi’s (1181/82–1226) second biographer. His Legenda maior was the only life of Saint Francis authorized for use in Franciscan convents andchurches from 1266 onward. The biography helped shape the visual tradition that developed around the influential founder of the Franciscan order. The woodcut in this leaf illustrates the miraculous healing of a young man through the saint’s intervention.
[L. Humphrey, “The People’s Collection, Reimagined,” 2023]


This leaf is from the first German edition of a life of Saint Francis of Assisi (1181–
1226) written by the theologian who led the Franciscan order from 1257 to 1274.
The woodcut depicts a miraculous healing through Saint Francis’s intervention. The
setting is a dining room in Città della Pieve (in present-day Italy), where a young couple
is fostering a boy born without speech or hearing. According to the text, the husband
prayed for Saint Francis to restore the boy’s speech and hearing, and the
miracle was granted. The two slender windows behind the dinner
table are filled with Venetian-style circular glass roundels (rulli or rui) such as those
produced by sixteenth-century Venetian glassmakers for export to Istanbul.
[L. Humphrey, “Venice and the Ottoman Empire” 2024]
ProvenanceFred Werther, Baltimore, Maryland, no. 1870; [Ferdinand Roten Galleries, Inc., 123 W. Mulberry St, Baltimore, Maryland]; NCMA purchase on February 13, 1962.
Published References"Catalogue of Early Book Art," North Carolina Museum of Art Calendar of Art Events (May 1962), cat. no. 28.

"Acquisitions," North Carolina Museum of Art Bulletin 4, nos. 2 and 3 (Winter-Spring 1964), listed 65.
Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, “Early Book Art,” May 1962, then traveling, cat. no. 28.

Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," April 24, 2023–January 16, 2024.

Raleigh, NC, North Carolina Museum of Art, "Venice and the Ottoman Empire," September 28, 2024-January 5, 2025.
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Leaf from Voragine, "The Golden Legend"
Antonio de Strata (printer)
1480