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Saint John Gualbert Pardons his Brother's Killer in the Church of San Miniato al Monte, Florence
Saint John Gualbert Pardons his Brother's Killer in the Church of San Miniato al Monte, Florence

Saint John Gualbert Pardons his Brother's Killer in the Church of San Miniato al Monte, Florence

Artist Benvenuto di Giovanni b, 1436, Siena; d. 1509/1518, Siena
Datecirca 1476–1478
MediumTempera on panel, transferred to fiberboard
Dimensions13 1/4 x 7 3/4 in. (33.7 x 19.7 cm)
Frame: 17 x 11 5/8 x 2 in. (43.2 x 29.5 x 5.1 cm)
ClassificationsPaintings
Credit LineGift of the Samuel H. Kress Foundation
Object numberGL.60.17.31
On View
On view
ProvenancePrivate collection (possibly Kauffman collection), Berlin, 1889; Prof. Richard von Kaufmann (d. 1908), Berlin; sale Cassirer, Berlin, December 4, 1917, no. 42; Heinrich Freiherr von Tucher (d.1925), Vienna and Nuremberg and [later] Munich[?]; not listed in 1925 Cassirer and Helbing sale of Tucher's works; [possibly Baron Hans Christopher Tucher, Johannesburg, South Africa (a dealer who inherited some of his uncle's pictures)] Samuel H. Kress Foundation, New York, 1950; gift of the Samuel H. Kress Foundation to the NCMA, 1961.
Published ReferencesF. Harck, "Quadri di maestri italiani in possesso di privati a Berlino," Archivio storico dell' Arte, II (1889), 206-7 (as Crivelli).

Gustavo Frizzoni, "Ricordo di un viaggio artistico oltralpe-- La Galleria Kauffmann in Berlino," L'Arte 5 (1902), 293-5 (293 as Niccolò da Foligno).

B. Geiger, in Thieme-Becker Kunstler Lexikon (1913), 132 (as Crivelli, in von Kauffmann coll., Berlin).

F. M. Perkins, "Ancora dei dipinti sconosciuti della Scuola Senese," Rassegna d'Arte Senese 3 (1907), 76 (as Benvenuto di Giovanni).

Cassirer's (auction catalogue) (Berlin: Cassirer's, 4 December, 1917), no. 42 (as Scene from a Legend by Carlo Crivelli).

Bernard Berenson, "Quadri senza casa, Il Quattrocento senese. I," Dedalo 11 (1931), 643-4 (as Benvenuto di Giovanni, current location unknown).

Raimond van Marle, The Development of the Italian Schools of Painting, Vol. 16 (The Hague: Martinus Nijhoff, 1937), 409, 420 (reprinted by Hacker Art Books, New York, 1970).

The Samuel H. Kress Collection (Raleigh: North Carolina Museum of Art, 1960), 70, illus. (b-w) 71.

Paul Wescher, "Die Kress-Schenkung für Raleigh," Pantheon 21, no.1 (January/February 1963), 9-11, illus. 10.

"Acquisitions," North Carolina Museum of Art Bulletin 4, nos. 2 & 3 (Winter/Spring, 1964), listed 56.

Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection: Italian Paintings XIII - XV Century, Vol. 1 (London: The Phaidon Press, 1968), 159, illus. fig. 433.

Exhibition Number One from the Permanent Collection (exhibition catalogue) (Raleigh: North Carolina Museum of Art, 1970), 22, illus. (b-w) 23.

B. Fredericksen and D. Davisson, Benvenuto di Giovanni. Girolamo di Benvenuto. Their Altarpieces in the J. Paul Getty Museum and A Summary Catalogue of Their Paintings in America (Malibu, 1966), 26, 28, 35.

Maria Cristina Bandera, "Qualche osservazione su Benvenuto di Giovanni," Antichità viva XIII, 1 (1974), 11-12, 16 illus. fig. 30, n. 34, 17 n. 37.

Cf. M. C. Bandera, "Variazioni ai cataloghi Berensoniani di Benvenuto di Giovanni," Scritti di storia dell'arte in onore di Ugo Procacci, 2 vols. (1977).

Maria Cristina Bandera, Benvenuto de Giovanni (Milan: Federico Motta Editore, 1999), 112, 114, 230, illus. (b-w) 115.

Perri Lee Roberts, et al, Sacred Treasures: Early Italian Paintings from Southern Collections (exhibition catalogue) (Athens: Georgia Museum of Art, University of Georgia, 2002), cat. no. 37, illus. (color) 173.

Perri Lee Roberts, Corpus of Early Italian Paintings in North American Public Collections: The South, Vol. 3 (Athens, GA: Georgia Museum of Art, University of Georgia, 2009), discussed 604, illus. (b-w) 605.

Lyle Humphrey, "Saul Among the Prophets: W.R. Valentiner, Robert L. Humber, Carl W. Hamilton, and the Italian Collection at the NCMA," Lisandra Estevez, ed., Collecting Early Modern Art (1400-1800) in the U.S. South (Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2021), 40.
Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, "Exhibition Number One from the Permanent Collection," October 1970, 22, illus. (b-w) 23.

Athens, GA, Georgia Museum of Art, "Sacred Treasures: Early Italian Paintings from Southern Collections," October 12, 2002-January 5, 2003; Birmingham, AL, Birmingham Museum of Art, January 26-April 13, 2002; Sarasota, FL, John and Mable Ringling Museum of Art, May 31-August 10, 2003, cat. no. 37, illus. (color).

Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present.
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Eleonora di Toledo (1522–1562)
Agnolo Bronzino (Agnolo di Cosimo)
circa 1560
Panel from a dismembered altarpiece: Saint John the Evangelist and the Poisoned Chalice
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380