Christ and the Woman of Samaria
Artist
Pierre Mignard
French, 1612–1695, active in Rome 1635–1657/58
Date1681
MediumOil on canvas
Dimensions48 x 63 in. (121.9 x 160 cm)
Frame: 65 1/2 x 79 3/4 in. (166.4 x 202.6 cm)
Frame: 65 1/2 x 79 3/4 in. (166.4 x 202.6 cm)
ClassificationsPaintings
Credit LinePurchased with funds from the State of North Carolina
Object number52.9.127
On View
Not on viewProvenancePainted for Mlle. De Guise (1615–1688) in 1681; bequeathed to Louis de Lorraine, comte d’Armagnac (1641–1718); collection Earl Waldegrave; (sale, London, Prestage, November 16, 1763, lot 37) [1]; sold to Brown; Richard Grosvenor (1795–1869), 2nd Marquess of Westminster, by 1857 [2]; by descent to Hugh Richard Arthur Grosvenor (1879–1953), 2nd Duke of Westminster (sale, London, Christie’s, 4 July 1924, lot 20; sold to Brunner [3]; Wildenstein, Paris and New York, in 1925 and 1946; sold to NCMA 1952 [4].
[1] Algernon Graves, Art Sales, London, 1921, gives a sales price. An annotated copy of the catalogue at the Rijksbureau voor Kunsthistorische Dokumentatie [RKD] notes a slightly smaller sales price.
[2] Noted as lender to the Art Treasures Exhibition, Manchester, 1857.
[3] Possibly Charles Brunner, Paris, who could have been acting on behalf of Wildenstein, who owned the painting in 1925. See no. 4.
[4] Lent by Wildenstein to Le Paysage Français de Poussin à Corot (exh. Petit Palais, Paris, May-June 1925), no. P. 212, as well as to A Loan Exhibition of French Painting of the Time of Louis XIIIth and Louis XIVth… (exh. Wildenstein, New York, May 9-June 1, 1946), p. 61, no. 36, ill. p. 57. No lender is noted in Catalogue of European & American Paintings 1500-1900; Masterpieces of Art, New York World’s Fair, May-October 1940, where the painting was exhibited as no. 62. Note there are no names of dealers mentioned as lenders to the exhibition, only private collectors and museums.
[1] Algernon Graves, Art Sales, London, 1921, gives a sales price. An annotated copy of the catalogue at the Rijksbureau voor Kunsthistorische Dokumentatie [RKD] notes a slightly smaller sales price.
[2] Noted as lender to the Art Treasures Exhibition, Manchester, 1857.
[3] Possibly Charles Brunner, Paris, who could have been acting on behalf of Wildenstein, who owned the painting in 1925. See no. 4.
[4] Lent by Wildenstein to Le Paysage Français de Poussin à Corot (exh. Petit Palais, Paris, May-June 1925), no. P. 212, as well as to A Loan Exhibition of French Painting of the Time of Louis XIIIth and Louis XIVth… (exh. Wildenstein, New York, May 9-June 1, 1946), p. 61, no. 36, ill. p. 57. No lender is noted in Catalogue of European & American Paintings 1500-1900; Masterpieces of Art, New York World’s Fair, May-October 1940, where the painting was exhibited as no. 62. Note there are no names of dealers mentioned as lenders to the exhibition, only private collectors and museums.
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