Skip to main content
Oldfield Bowles (1740–1810)
Oldfield Bowles (1740–1810)

Oldfield Bowles (1740–1810)

ArtistAttributed to Nathaniel Dance British, 1735–1811
Datecirca 1775–1780
MediumOil on canvas
Dimensions91 x 79 in. (231.1 x 200.7 cm)
Frame: 94 1/8 x 83 1/8 x 3 in. (239.1 x 211.1 x 7.6 cm)
ClassificationsPaintings
Credit LinePurchased with funds from the State of North Carolina
Object number52.9.87
On View
Not on view
ProvenanceColonel Henry Bowles; Miss Ida Bowles; Walter Hutchinson, bought at an anonymous sale, October 22, 1948 (no. 135); sold at Hutchinson House sale December 14, 1951 (no. 186), bought by Agnew’s; sold by Agnew’s December 3, 1953, bought by Wildenstein (?); acquired by NCMA in 1956.

Published ReferencesW. R. Valentiner, Catalogue of Paintings: Including Three Sets of Tapestries (Raleigh: North Carolina Museum of Art, 1956), no. 107 (as by Johann Zoffany).

Carolina Charter Tercentenary Exhibition (exhibition catalogue) (Raleigh: North Carolina Museum of Art, 1963), cat. no. 87 (as by Johann Zoffany), illus. (b-w).

British Paintings to 1900: Catalogue of Paintings, Vol. 2, 2nd ed. (Raleigh: North Carolina Museum of Art, 1969), no. 115 (as by Johann Zoffany), illus. (b-w).

Robert F. Phifer Collection (exhibition catalogue) (Raleigh: North Carolina Museum of Art, 1973), 86, illus. (b-w) 87 (as by Johann Zoffany).

Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 79 (as by Johann Zoffany).
Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, "Carolina Charter Tercentenary Exhibition," March 23-April 28, 1963, cat. no. 85 (as by Johann Zoffany), illus. (b-w).

Raleigh, North Carolina Museum of Art, "Robert F. Phifer Collection," March 31-May 13, 1973, 86, illus. (b-w) 87 (as by Johann Zoffany).

Wilmington, NC, Louise Wells Cameron Art Museum, "Eighteenth Century Paintings and Sculptures from the North Carolina Museum of Art," April 21, 2002 - March 30, 2003

Raleigh, NC, North Carolina Museum of Art, “History and Mystery: Discoveries in the NCMA British Collection,” August 6, 2016–June 25, 2017.
Object Rights Statement

The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.

Portrait of a Man
Nathaniel Dance
circa 1770
As the Crow Flies
Robert B. Dance
1959
The Flight into Egypt
David Teniers the Younger
circa 1660s
The Angel Liberating St. Peter from Prison
Anton van den Heuvel
circa 1625–1635
The Backgammon Players
Theodoor Rombouts
1634
The Holy Family with St. Anne
Peter Paul Rubens and Workshop
circa 1630–1635
The Denial of Saint Peter
Gerard Seghers
circa 1620–1625
Market Scene on a Quay
Frans Snyders and Workshop
circa 1635–1640
Vanitas Flower Still Life
Willem van Aelst
circa 1656–1657