Portrait of a Young Man with a Turban
Artist
Giuseppe Vittore Ghislandi, called Fra Galgario
Italian, 1655–1743
Datecirca 1720–1730
MediumOil on canvas
Dimensions55 x 39 3/4 in. (139.7 x 101 cm)
Frame: 67 1/4 x 51 1/2 x 3 3/4 in. (170.8 x 130.8 x 9.5 cm)
Frame: 67 1/4 x 51 1/2 x 3 3/4 in. (170.8 x 130.8 x 9.5 cm)
ClassificationsPaintings
Credit LineGift of the Samuel H. Kress Foundation
Object numberGL.60.17.54
On View
Not on view[1] Visconti Venonsta is a noble Milanese family. Marchese Enrico Visconti-Venonsta lent the paintings (GL.60.17.53 and .54) to the exhibition Cinque pittori del Settecento, Antiquaria, Rome, April 1943, nos. 3 and 4 (catalogue by Alessandro Morandotti). The paintings were not included two years later in the exhibition Premio Fra Galgario per il retratto e l’autoritratto, Palazzo della Raglione, Bergamo, October 14–November 11, 1945.
Published ReferencesA. Morandotti, Cinque Pittori del Settecento Ghislandi - Crespi - Magnasco - Bazzani - Ceruti, Rome, 1943 [Catalogo della IV Mostra d' Arte antica organizzata da "Antiquaria" nell' aprile 1943 nel Palazzo Massimo alle Colonne, Rome], cat. no. 3, illus.
G. Briganti, Emporium 97 (1943), 196.
W. Mostyn-Owen, Burlington Magazine 95 (1953), 277 (suggests a date in the late 1720s).
A. Cipriani and G. Testori, Pittori della Realta in Lombardia (exhibition catalogue) (Milan: Palazzo Reale, 1953), cat. no. 77 or 78.
The Samuel H. Kress Collection (Raleigh: North Carolina Museum of Art, 1960), 110, illus. (b-w) 111 (as Portrait of a Pupil as a Slav).
Fern R. Shapley, Paintings from the Samuel H. Kress Collection, Italian School, XX-XVI Centuries (New York, 1968).
Painting in Italy in the 18th Century: Rococo to Romanticism, John Maxon and Joseph J. Rishel, eds. (exhibition catalogue) (Chicago: Art Institute of Chicago, 1970), cat. no. 7, illus.
D. S. Sutton, Apollo 92 (1970), 170, illus. fig. 7.
Maria Christina Gozzoli, Vittore Ghislandi Detto Fra Galgario (Bergamo: Poligrafiche Bolis, 1981), 125, illus. 155.
Edgar Peters Bowron, ed., Introduction to the Collections (Chapel Hill: published for the North Carolina Museum of Art, Raleigh, by The University of North Carolina Press, 1983), illus. (b-w) 209.
Mina Gregori, ed., Pittura a Bergamo dal Romanico al Neoclassicismo (Milano: Cassa di Risparmio Delle Province Lombarde), 1991.
Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 195.
Exhibition HistoryRome, Italy, Palazzo Massimo alle Colonne, "Cinque Pittori del Settecento Ghislandi - Crespi - Magnasco - Bazzani - Ceruti," April 1943, cat. no. 3, illus.
Milan, Palazzo Reale, "I Pittori della Realtà in Lombardia," April-July 1953, cat. no. 77 or 78.
Chicago, IL, Art Institute, "Painting in Italy in the Eighteenth Century: Rococo to Romanticism," September 19-November 1, 1970; Minneapolis, MN, Minneapolis Institute of Arts, November 24, 1970-January 10, 1971; Toledo, OH, Toledo Museum of Art, February 7-March 21, 1971, cat. no. 7.
Raleigh, NC, North Carolina Museum of Art, "Facets of Faces: Functions of Portraits," September 1, 1989-June 1, 1990.
Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
Giuseppe Vittore Ghislandi, called Fra Galgario
circa 1720–1730