Saint Lawrence Distributing the Treasures of the Church
Artist
Bernardo Strozzi
Italian, 1581/82–1644
Datecirca 1625
MediumOil on canvas
Dimensions46 1/2 x 62 in. (118.1 x 157.5 cm)
Frame: 56 3/4 x 72 1/4 in. (144.1 x 183.5 cm)
Frame: 56 3/4 x 72 1/4 in. (144.1 x 183.5 cm)
ClassificationsPaintings
Credit LinePurchased with funds from the State of North Carolina
Object number52.9.168
On View
On viewPublished ReferencesG. Waagen, Treasures of Art in Great Britain, London, III[II?] (1854), 131.
W. R. Valentiner, Catalogue of Paintings: Including Three Sets of Tapestries (Raleigh: North Carolina Museum of Art, 1956), no. 199, illus. (b-w).
Betty Chamberlain, "North Carolina: First state-initiated collection: How to get and spend a million dollars for art," Art News 55, no. 2 (April 1956), illus. 41. (See also in same reference William R. Valentiner's "The Raleigh Museum's First 220 Paintings: Notes on the Collections," 50).
Luisa Mortari, Bernardo Strozzi (Rome: 1966), 164, illus. fig. 265.
Nancy Wasell, "Bernardo Strozzi: An Account of his Artistic Development in Genoa as Related to his St. Lawrence Distributing the Goods of the Church to the Poor in the North Carolina Museum of Art in Raleigh," (University of North Carolina student paper, 1967), illus. fig. 1 (Curatorial file).
Visions and Revisions (exhibition catalogue) (Providence: Rhode Island School of Design, 1968), cat. no. XII-2.
Edgar Peters Bowron, ed., Introduction to the Collections (Chapel Hill: published for the North Carolina Museum of Art, Raleigh, by The University of North Carolina Press, 1983), illus. (b-w) 199.
Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 185.
Kunst in der Republik Genua 1528-1815 (exhibition catalogue) (Frankfurt: Schirn Kunsthalle Frankfurt, 1992), cat. no. 28, illus. (color).
Luisa Mortari, Bernardo Strozzi, rev. ed. (Rome: 1995), cat. no. 318.
Bernardo Strozzi Genova 1581/82 - Venezia 1644 (exhibition catalogue) (Genoa: Pal Ducale, 1995), 166, 180
Judith Walker Mann, "Baroque into Rococo: Seventeenth and Eighteenth Century Italian Paintings," The Saint Louis Art Museum Winter 1997 Bulletin (1997), 38, illus.
Rebecca Martin Nagy, entry for St. Lawrence Distributing the Treasures of the Church, in North Carolina Museum of Art: Handbook of the Collections, Rebecca Martin Nagy, ed. (Raleigh: North Carolina Museum of Art, 1998), 134, illus. (color).
Rebecca Martin Nagy, entry for St. Lawrence Distributing the Treasures of the Church, in North Carolina Museum of Art: Handbook of the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 2010), 284, illus. (color) 285.
G. Sarti, Caravaggesque Italian Painters: Painters of Reality (Paris: Galerie G. Sarti, 2013), mentioned and illus. 168, fig. 3.
Exhibition HistoryProvidence, Rhode Island School of Design Museum, "Visions and Revisions," October 18-November 24, 1968, cat. no. XII-2.
Frankfurt am Main, Schirn Kunsthalle Frankfurt, "Kunst in der Republik Genua 1528-1815," September 5-November 8, 1992, cat. no. 28.
Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present. Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
Domenichino (Domenico Zampieri)
circa 1618–1620
Hans Pleydenwurff
circa 1464
Canaletto (Giovanni Antonio Canal)
circa 1750
Master of San Jacopo a Mucciana
circa 1385–1395
Benvenuto di Giovanni
circa 1476–1478
Filippino Lippi
circa 1496