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Portrait of a Woman, probably Ann Finch, Lady Twysden (1574–1638)
Portrait of a Woman, probably Ann Finch, Lady Twysden (1574–1638)

Portrait of a Woman, probably Ann Finch, Lady Twysden (1574–1638)

Artist Unknown
Date1610
MediumOil on canvas
Dimensions81 x 50 in. (205.7 x 127 cm)
Frame: 89 x 56 x 1 3/4 in. (226.1 x 142.2 x 4.4 cm)
ClassificationsPaintings
Credit LineGift of Mr. and Mrs. James MacLamroc
Object numberGL.67.13.6
On View
Not on view
Provenance[All Balliol Scott family property, presumed to include the NCMA’s eight “Scott” portraits, pass through various branches of the family of Scots’ Hall, Smeeth, Kent, England]; George Scott (1673–1728); by descent to Edward Scott (1710–1765), Scot’s Hall, Smeeth, ca. 1728: by descent to Francis Talbot Scott (1745–1789), 1765; Scott family portraits are transferred to Caroline Scott (1751–1809) and her husband George Best (1760–1818), Chilston Park, Kent, England, ca. 1784–1795; by descent to Thomas Fairfax Best (1786-1849) and Margaret Anna Brett Best (d. 1882), London, Chilston Park, and Weirton Park, Boughton Monchelsea, Staplehurst, Kent, 1818; by descent to Frances Best and her husband, Major William Henry Archer, 1882; by descent to their son Major Henry Alan Fairfax Best Archer and his wife, Catherine Maria Scott; paintings sold to Sir Edward Arthur Barry (1858–1949), who married Scott descendent Eleanor Margaret Scott (d. 1916), Ockwells Manor, Berkshire, England, between 1891 and 1916; paintings sold to Colonel Frank Douglas Scott, Sir Edward Arthur Barry allows the portraits to remain at Ockwells Manor, Berkshire, England, 1947; sold to James G. W. MacLamroc, Greensboro, NC, 1965 [portraits come directly to NCMA in June 1965]; given to NCMA, 1969. [PDF of Unedited Provenance notes is attached to this TMS record.]
Published ReferencesPerry Hurt, “Uncovering Late Renaissance British Portraits at the NCMA: The Scott Project,” in North Carolina Museum of Art Preview (Winter 2014), briefly discussed 19, illus. (color) 17.
Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, “History and Mystery: Discoveries in the NCMA British Collection,” August 6, 2016–June 25, 2017. Object Rights Statement

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