The Oddie Children
Artist
Sir William Beechey
British, 1753–1839
Date1789
MediumOil on canvas
Dimensions72 x 71 7/8 in. (182.9 x 182.6 cm)
Frame: 86 3/4 x 83 3/4 in. (220.3 x 212.7 cm)
Frame: 86 3/4 x 83 3/4 in. (220.3 x 212.7 cm)
ClassificationsPaintings
Credit LinePurchased with funds from the State of North Carolina
Object number52.9.65
On View
Not on view[1] Beechey's account book of 1789 mentions the payment for this commission. Transcribed in William Roberts, Sir William Beechey, R.A. (1907), p. 39.
[2] Listed as Mrs. John R. Topping in Knoedler Stock Book 9, Page 231, Row 27, stock no. A4718.
[3] Listed as North Carolina State Art Society in Knoedler Stock Book 10, Page 65, Row 10, stock no. A4718. Sale date February 19, 1952.Published ReferencesW. Roberts, Beechey (1907), 39, 222.
Art News (April 1956), illus. 46.
C.W. Stanford, British and American Paintings and Sculpture (Raleigh: North Carolina Museum of Art, 1956), 20-21, illus.
W. R. Valentiner, Catalogue of Paintings: Including Three Sets of Tapestries (Raleigh: North Carolina Museum of Art, 1956), no. 75, illus. (b-w).
Charles W. Stanford, Jr., Selections from British and American Painting and Sculpture (Raleigh: North Carolina Museum of Art, 1967), no. 9, illus. (color).
British Paintings to 1900: Catalogue of Paintings, Volume 2, 2nd ed. (Raleigh: North Carolina Museum of Art, 1969), no. 64, illus. (b-w).
The Mint Museum of Art Presents British Paintings from the Collection of the North Carolina Museum of Art (exhibition catalogue) (Charlotte: Mint Museum of Art, 1973), cat. no. 15, illus. (b-w).
JAMA: The Journal of the American Medical Association 243, no. 17 (May 2, 1980), 1707, illus. (color) cover.
Edgar Peters Bowron, ed., Introduction to the Collections (Chapel Hill: published for the North Carolina Museum of Art, Raleigh, NC, by The University of North Carolina Press, 1983), illus. (b-w) 122.
Gladys S. Blizzard, Come Look with Me: Enjoying Art with Children (Charlottesville, VA: Thomasson-Grant, 1990), 13, illus. (color) 12 and frontispiece. Second edition (Watertown, MA: Charlesbridge Publishing, Inc., 2006)
Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 80.
Thereses M. Southgate, MD, The Art of JAMA (St. Louis: Mosby, 1996), 96-97, 205-206, illus. (color) 97.
Joseph P. Covington, entry for The Oddie Children, in North Carolina Museum of Art: Handbook of the Collections, Rebecca Martin Nagy, ed. (Raleigh: North Carolina Museum of Art, 1998), 163, illus. (color), detail (color) 160.
The Changing Face of Childhood: British Children's Portraits and their Influence in Europe (exhibition catalogue) (Frankfurt: Städel Museum, Dulwich: Dulwich Picture Gallery, 2007), cat. no. 12, discussed 24, 132, 134-35, illus. (color) 133, details (color) 12, 86.
Hugh Belsey, "Raising children," (exhibition review) Apollo 166, no 547 (October 2007), mentioned and illus. (color) 111.
Joseph P. Covington, entry for The Oddie Children, in North Carolina Museum of Art: Handbook of the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 2010), 340, illus. (color) 341.
Iris Wien, "Rousseaus Erben? Angelika Kauffmann und das Bristiche Kinderportrat," The Yearbook of the Vorarlberger Landesmuseumsverein, (Bregenz, Austria: Landesmuseumsverein, 2017), illus. (color).Exhibition HistoryCharlotte, NC, Mint Museum of Art, "The Mint Museum of Art Presents British Paintings from the Collection of the North Carolina Museum of Art," September 16-December 30, 1973, cat. no. 15, illus. (b-w).
Frankfurt, Germany, Städel Museum, "The Changing Face of Childhood: British Children's Portraits and their Influence in Europe," April 20-July 15, 2007; Dulwich, England, Dulwich Picture Gallery, August 1-November 4, 2007, cat. no. 12, illus. (color).
Raleigh, NC, North Carolina Museum of Art, “History and Mystery: Discoveries in the NCMA British Collection,” August 6, 2016–June 25, 2017.
Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–May 29, 2024. Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
Sir David Wilkie
1834
Sir Peter Lely and Studio
circa 1661