Skip to main content
Advanced Search
Virgin and Child
Virgin and Child

Virgin and Child

Artist Bernardino Pintoricchio (also Pinturicchio) Italian, b. circa 1452, Perugia; d. 1513, Siena
Datecirca 1490–1495
MediumTempera and oil on panel
Dimensions13 1/4 x 10 in. (33.7 x 25.4 cm)
Frame: 19 1/2 x 16 5/8 in. (49.5 x 42.2 cm)
ClassificationsPaintings
Credit LineGift of the Samuel H. Kress Foundation
Object numberGL.60.17.35
On View
On view
ProvenanceCount Camillo Borgia-Mandolini, Perugia, 1902; Comte Grégoire Stroganoff, Rome; seized by the Bolshevik government in 1919; L. Grassi, Florence, 1926 [trafficked heavily wth German officials and dealers-Hofer, Angerer, Posse-sold lots of furniture to C-B]; Count Alessandro Contini Bonacossi, Rome; Samuel H. Kress Collection, New York, 1929; given to NCMA, 1961.Published ReferencesCorrado Ricci, Pintoricchio (1902, English edition), 238.

Bernard Berenson, Central Italian Painters of the Renaissance (New York: G.P. Putnam's Sons, 1909), 230.

Crowe and Cavalcaselle, New History of Painting in Italy, Vol. 3, Edward Hutton, ed. (London: J.M. Dent & Co., 1909), 295.

Antonio Muñoz, Pièces de Choix de la collection du Comte Grégoire Stroganoff, Vol. 2 (1911), 25, illus. pl. XVII.

Adolfo Venturi, Storia dell'arte italiana, Vol. 7, Part 2 (Milano: Ulrico Hoepli, 1913), 661.

U. Gnoli, Pittori e miniatori nell'Umbria (1923), 295.

Raimond van Marle, The Development of the Italian Schools of Painting, Vol. 14 (The Hague: Martinus Nijhoff, 1933), 255, note 1.

Preliminary Catalogue of Paintings and Sculpture, (Washington, DC: National Gallery of Art, 1941), cat. no. 141.

Leaflet for St. James Church, NY, NY (Christmas 1946), illus. cover.

The Samuel H. Kress Collection: North Carolina Museum of Art (Raleigh: North Carolina Museum of Art, 1960), 76, illus. (b-w) 77 (as by Pintoricchio).

Enzo Carli, Il Pintoricchio (1960), 56 ff.

Self-Realization Magazine (October-December 1967), illus. cover (incorrect credit line).

Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection: Italian Schools XV - XVI Century, Vol. 2 (London: The Phaidon Press, 1968), 101-102, illus. fig. 244.

F. Todini, La pittura umbra dal Ducento al primo Cinquecento, 2 Vols. (Milan: 1989), Vol. 1, 293; Vol. 2, illus. fig. 1230.

Cristina Acidini Luchinat, Pintoricchio (Firenze: Scala, 1999), 27, illus. (color).

Pietro Scarpellini and Maria Rita Silvestrelli, Pintoricchio (Milan: Federico Motta Editore, 2003), 154, illus. (color) 152, fig. 22.

Francesco Federico Mancini, Pintoricchio (Milan: Silvano Editoriale, 2007), 155, illus. (color) 156.

Francis Russell, "Pintoricchio in dreamland," (exhibition review) Apollo (May 2008), briefly discussed 100.

Perri Lee Roberts, Corpus of Early Italian Paintings in North American Public Collections: The South, Vol. 3 (Athens, GA: Georgia Museum of Art, University of Georgia, 2009), discussed 662, illus. (b-w) 663.
Exhibition HistoryWashington, DC, National Gallery of Art, Smithsonian Institution, "Preliminary Catalogue of Paintings and Sculpture," 1941-1952 (1941 ed.), cat. no. 141.

Perugia, Italy, Galleria Nazionale dell'Umbria, "Pintoricchio," February 2-June 29, 2008.

Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present. Object Rights Statement

The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.