Panel from a dismembered altarpiece: Saint Catherine of Alexandria at the Wheel
Artist
Master of Saint James at the Battle of Clavijo
Italian, active in Bologna 1310s and 1320s
Datecirca 1325–1330
MediumTempera, gold leaf, and mosaic gold on panel
Dimensions25 x 32 1/4 in. (63.5 x 81.9 cm)
Frame: 28 3/8 x 35 7/8 in. (72.1 x 91.1 cm)
Frame: 28 3/8 x 35 7/8 in. (72.1 x 91.1 cm)
ClassificationsPaintings
Credit LineGift of the Samuel H. Kress Foundation
Object numberGL.60.17.14
On View
On viewPublished ReferencesF. Mason Perkins, "Dipinti italiani nella Raccolta Platt, parte 2," Rassegna d'Arte 11, no. 9 (September 1911), 145 (see curatorial file for GL.60.17.11).
L. Frati, L'Arte 12 (1914), 421f.
Raimond van Marle, The Development of the Italian Schools of Painting, Vol. 4 (The Hague: Martinus Nijhoff, 1924), 421-22 (as Pseudo-Jacopo Avanzi).
Evelyn Sandburg Vavala, "Some Bolognese Paintings Outside Bologna and a Trecento Humorist," Art In America 20, no.1 (December 1931), 20 (as Pseudo-Jacopo Avanzi).
Francesco Arcangeli, "Un vitale e un Jacopo da Bologna," Proporzioni 2 (1948), 67-74 (see curatorial file for GL.60.17.11).
Mostra dell a Pittura Bolognese dell' 300 (exhibition catalogue) (Bologna: Pinacoteca, 1950), cat. nos. 44-47.
Roberto Longhi, "La Mostra del Trecento Bolognese," Paragone 1, no. 5 (May 1950), 13-15 (as Jacopino di Francesco).
William E. Suida, "Rassegna," La Critica d'Arte no. 33 (May 1950), 52-58, illus. fig. 56.
The Samuel H. Kress Collection (Raleigh: North Carolina Museum of Art, 1960), 40, 42, illus. (b-w) 43, fig. D (as Jacopino di Francesco).
Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection: Italian Schools XIII - XV Century, Vol. 1 (London; The Phaidon Press, 1968), 71, illus. fig. 189.
Daniele Benati, "Pittura del Trecento in Emilia Romagna," in La pittura in Italia. Il Ducento e il Trecento, E. Castelnuovo, ed. (Milan: 1986), 216 (see curatorial file for GL.60.17.13).
"Renovated European Galleries," in North Carolina Museum of Art supplement to the Durham Herald-Sun (October 2002), mentioned 3.
Perri Lee Roberts, Corpus of Early Italian Paintings in North American Public Collections: The South, Vol. 3 (Athens, GA: Georgia Museum of Art, University of Georgia, 2009), discussed 664, illus. (b-w) 668.
Medieval Bologna: Art for a University City, Trinita Kennedy, ed. (exhibition catalogue) (Nashville, TN: Frist Art Museum, 2021), cat. no. 42, illus. (color).
Exhibition HistoryNew York, NY, Hunter College, Roosevelt House, 1944.
Washington, DC, The National Gallery of Art, 1951-1952.
Bologna, Italy, Pinacoteca, "Mostra dell a Pittura Bolognese dell' 300," May-October 1950, cat. nos. 44-47 (see curatorial file for GL.60.17.11).
Raleigh, NC, North Carolina Museum of Art, "A Gift to North Carolina: Italian Paintings and Sculpture from the Kress Collection," February 5-April 24, 1994, handout no. 2.
Nashville, TN, Frist Art Museum, “Medieval Bologna: Art for a University City,” November 5, 2021–January 30, 2022, cat. no. 42, illus. (color).
Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present. Object Rights Statement
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Master of Saint James at the Battle of Clavijo
circa 1325–1330
Master of the Bologna Polyptychs
circa 1320
Master of the Bologna Polyptychs
circa 1320
Master of the Bologna Polyptychs
circa 1320
Master of San Torpé
circa 1300–1310
Master of San Jacopo a Mucciana
circa 1385–1395
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380