Predella panel from an altarpiece: Adoration of the Shepherds

Artist Pietro da Talada Italian, active second half of the 15th century

Datecirca 1450–1460

MediumTempera on panel

Dimensionsheight, width, and depth (unmounted): 12 7/16 × 16 5/8 × 1 in. (31.6 × 42.2 × 2.5 cm)
height, width, and depth (in mount): 12 5/8 × 16 5/8 × 2 in. (32.1 × 42.2 × 5.1 cm)

ClassificationsPaintings

Credit LinePurchased with funds from the State of North Carolina

Object number52.9.161

On View

On view

Label TextWith the Departure of the Magi from Herod’s Palace [52.9.162] and a third panel in a private collection, this anecdotally rich depiction of the Adoration of the Shepherds is a rare survival from an unknown altarpiece that likely originated in the Duchy of Milan around the middle of the fifteenth century.

The copious decorative and narrative details—including the flutes hanging from the shepherd’s belt, objects hanging from the stable post and thatched roof above, and masonry and drawbridge of the palace—all point to the authorship of Bonifacio Bembo, who executed numerous artistic commissions for the rulers of Milan from the 1440s to the 1460s.
[L. Humphrey, "The People's Collection, Reimagined," 2022]ProvenanceWith Newhouse Galleries, New York; sold to NCMA, 1952.Published ReferencesW. R. Valentiner, Catalogue of Paintings: Including Three Sets of Tapestries (Raleigh: North Carolina Museum of Art, 1956), no. 192, illus. (b-w).

Perri Lee Roberts, Corpus of Early Italian Paintings in North American Public Collections: The South, Vol. 3 (Athens, GA: Georgia Museum of Art, University of Georgia, 2009), discussed 660, illus. (b-w) 661.

Clementina Santi, Pietro da Talada: Un pittore del Quattrocento tra l’Appennino reggiano e le Apuane (Lucca: Unione Comuni Garfagnana, 2015), 99, 101, illus. (b-w), 100.
Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present. Object Rights Statement

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