The Falls of Tamahaka, Cherokee County, North Carolina
Artist
William Charles Anthony Frerichs
American, born Belgium, 1829–1905, active in the United States 1850–1905
Datecirca 1860–1870
MediumOil on canvas
Dimensions30 x 48 in. (76.2 x 121.9 cm)
Frame: 38 x 55 3/4 in. (96.5 x 141.6 cm)
Frame: 38 x 55 3/4 in. (96.5 x 141.6 cm)
ClassificationsPaintings
Credit LineGift of Mr. and Mrs. George D. Finch
Object numberG.65.24.1
On View
Not on view[1] “125 Choice Oil Paintings,” as Falls of the French Broad River, N.C.
Published References"Accessions of American and Canadian Museums," Art Quarterly 28 (1965), listed 314.
The Governor's National Art Tour (exhibition catalogue) (Olympia: State Capitol Museum, 1966), unnumbered, illus. (b-w) 5.
"Acquisitions," North Carolina Museum of Art Bulletin 7, nos. 2 and 3 (1967/68?), noted 4, illus. (b-w) 47, fig. 11.
American Paintings to 1900: Catalogue of Paintings, Vol. 1, 2nd ed. (Raleigh: North Carolina Museum of Art, 1966), no. 22, illus. (b-w).
Nina Kasanof, "American Landscapes of the 19th Century in the North Carolina Museum of Art," North Carolina Museum of Art Bulletin 8 (June 1969), 2-15, discussed 6, illus. (b-w) fig. 6.
Hildegard J. Safford, "William C. A. Frerichs, Artist, 1829-1905," Staten Island Historian 31 (October-December 1970), 29-33, noted 30.
William C.A. Frerichs: 1829-1905 (exhibition catalogue) (Raleigh: North Carolina Museum of Art, 1974), unnumbered, illus. (color).
American Paintings from the Collection of the North Carolina Museum of Art (brochure) (Charlotte: Mint Museum of Art, 1975), no. 14.
200 Years of the Visual Arts in North Carolina (exhibition catalogue) (Raleigh: North Carolina Museum of Art, 1976), cat. no. 18, illus. (b-w).
Duane Raver, "Nature and Art, the Inseparable Companions," Wildlife in North Carolina 42 (April 1978), 10-15, illus. (color) 12-13.
Edgar Peters Bowron, ed., Introduction to the Collections (Chapel Hill: Published for the North Carolina Museum of Art, Raleigh, by The University of North Carolina Press, 1983), illus. (b-w) 286.
Melissa Clement, "Nature and her many faces on display in landscape show," (exhibition review), Fayetteville, NC: Fayetteville Observer-Times (December 4, 1998), mentioned 19.
Art Taylor, "Museum Loans," Preview: The Magazine of the North Carolina Museum of Art (March/April 2002), mentioned 7.
Exhibition HistoryOlympia, WA, State Capitol Museum, "The Governor's National Art Tour," 1966; Raleigh, NC, North Carolina Museum of Art, February 12-26, 1967 [then traveling?], unnumbered, illus. (b-w) 5.
Raleigh, NC, North Carolina Museum of Art, "William C. A. Frerichs, 1829-1905," September 15-October 20, 1974, unnumbered, illus. (color).
Charlotte, NC, Mint Museum of Art, "American Paintings from the Collection of the North Carolina Museum of Art," September 7-October 19, 1975, no. 14.
Greensboro, NC, Greensboro Preservation Society, "Special Exhibition," March 16-18, 1976
Raleigh, NC, North Carolina Museum of Art, "200 Years of the Visual Arts in North Carolina," September 12-October 24, 1976, cat. no. 18, illus. (b-w).
Fayetteville, NC, Fayetteville Museum of Art, "Inaugural Exhibition of American Paintings and Sculpture from the Collection of the North Carolina Museum of Art," May 1-30, 1978.
Raleigh, NC, North Carolina Museum of Art, "Of Space and Time: Motion in Art," September 1985-September 1986.
North Wilkesboro, NC, Wilkes Art Gallery, "American Landscapes from the North Carolina Museum of Art," March 18-April 5, 1988.
Wilmington, NC, St. John's Museum of Art, "Inventing the American Landscape: A Dialogue with the Visual World," April 25-June 28, 1998; Hickory, NC, The Hickory Museum of Art, September 12-November 8, 1998; Fayetteville, NC, Fayetteville Museum of Art, November 22, 1998-January 17, 1999; Greenville, NC, Greenville Museum of Art, March 10-April 30, 1999, brochure (Outreach Exhibition).
Asheville, NC, Asheville Art Museum, long-term loan to be displayed with the permanent collection, September 2001- February 2004.
Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
William Charles Anthony Frerichs
William Charles Anthony Frerichs
William Charles Anthony Frerichs
William Charles Anthony Frerichs
William Charles Anthony Frerichs
William Charles Anthony Frerichs
Charles-Émile-Auguste Durand, known as Carolus-Duran
1885