Skip to main content
The Marchioness
The Marchioness

The Marchioness

Artist Toyin Ojih Odutola Nigerian American, born 1985
Date2016
MediumCharcoal, pastel, and pencil on paper
Dimensionspaper: 77 1/2 × 50 1/2 in. (196.9 × 128.3 cm)
frame: 83 1/4 × 66 1/8 × 2 1/2 in. (211.5 × 168 × 6.4 cm)
ClassificationsDrawings
Credit LineGift of Pat and Tom Gipson
Object number2026.1.1
On View
On view
ProvenanceCreated by the artist, 2016; with Jack Shainman Gallery, New York, NY; sold to Pat and Tom Gipson, April 2017; given to the NCMA, 2025.Published ReferencesKim Bell, “Toyin Ojih Odutola: Museum of the African Diaspora” (artforum.com: Toyin Ojih Odutola, 2017), illustrated.

Maria Porges, “A Matter of Fact: Toyin Ojih Odutola at Museum of the African Diaspora.” (Daily Serving. 11 January 2017; Online: Daily Serving - Maria Porges writes on Toyin Ojih Odutola... | Facebook), illustrated.

Toyin Ojih Odutola, Toyin Ojih Odutola: The UmuEze Clan and the House of Obafemi (New York: Rizzoli Electa, 2021), illustrated p. 43-45, p. 162.

Amy Crawford, “Imagining a Different History for Africa Through Art: Toyin Ojih Odutola conjures a world that might have been” (Smithsonian Magazine, September 2021), illustrated.

Ekow Eshun, The Time Is Always Now: Artists Reframe the Black Figure (London: National Portrait Gallery, 2024), illustrated p. 175.
Exhibition HistorySan Francisco, CA, Museum of the African Diaspora, “A Matter of Fact: Toyin Ojih Odutola,” October 26, 2016–April 2, 2017.

Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–November 28, 2023.

London, National Portrait Gallery, "The Time is Always Now: Artists Reframe the Black Figure," February 22–May 19, 2024; Plymouth, England, The Box: June 29–September 29, 2024; Philadelphia, PA, Philadelphia Museum of Art: November 9, 2024–February 9, 2025; Raleigh, NC, North Carolina Museum of Art: March 8–June 29, 2025.

Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," July 29, 2025–present.
Object Rights Statement

The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.

Flower Child
Arthur Bowen Davies
Dress Parade
Charlotte Belote Girard
1977
Self-Portrait with Chest of Drawers
Richard Wearn Stenhouse
1975
Portrait of W. R. Valentiner (1880-1958)
Max Beckmann
November 5, 1950
Found Again
Eugene Higgins
Mysterious Box
Dennis Zaborowski
1984
Drawing
Piero Dorazio
1959
Jeanette
Christopher Holt
2019
Brian
Christopher Holt
2019
Aunt Beebe
Deborah Cofer
1980