The Saint-Sever Bridge, Rouen: Mist

Artist Camille Pissarro French, 1830–1903

Date1896

MediumOil on canvas

Dimensionsoverall: 23 3/4 × 34 1/4 in. (60.3 × 87 cm)
frame: 33 5/8 × 42 5/8 in. (85.4 × 108.3 cm)

ClassificationsPaintings

Credit LineGift of Wachovia Bank and Trust Co., N.A.

Object numberGL.67.26.1

On View

On view

ProvenanceWith Daniel Varenne, Paris; sold to Hirschl & Adler Galleries, New York, 1966; from whom acquired by Wachovia bank and Trust Co., Winston-Salem, 1967; on loan to the Museum from Wachovia Bank and Trust, 1967-74; given to NCMA 1967.

Published ReferencesLudovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son Art- Son Oeuvre, Vol. 2: Planches (Paris: Paul Rosenberg, Éditeur, 1939), illus. fig. 971. La Chronique des Arts (Supplement a la Gazette Des Beaux-Arts), no. 1188 (Janvier 1968), 4. Exhibition Number One from the Permanent Collection (Raleigh: North Carolina Museum of Art, 1970), 102, illus. (color) 103. North Carolina Museum of Art Bulletin 13, no. 3 (1976), illus. (color) facing 1. Michael Milkovich, ed., Homage to Camille Pissarro: The Last Years, 1890-1903 (exhibition catalogue) (Memphis, TN: Dixon Gallery and Gardens, 1980), cat. no. 10, illus. Edgar Peters Bowron, Introduction to the Collections (Chapel Hill: published for the North Carolina Museum of Art, Raleigh by The University of North Carolina Press, 1983), illus. (b-w) 161. Retrospective: Camille Pissarro (exhibition catalogue) (Tokyo: Isetan Museum of Art, 1984), cat. no. 55, illus. Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son Art- Son Oeuvre, Vol. 1, Texte: Vol. 2, Planches (San Francisco: Alan Wofsy Fine Arts, 1989), 215, cat. no. 971 (Vol. 1); illus. cat. no. 971 (Vol. 2)]. Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 142. Richard R. Brettell and Joachim Pissarro, ed. by Mary Anne Stevens, The Impressionist and the City: Pissarro's Series Paintings (exhibition catalogue), (Dallas: Dallas Museum of Art, 1993), illus. (color) 23, cat. no. 14 (catalogue only, not in exhibition). Joseph P. Covington, entry for The Saint-Sever Bridge from Rouen, Fog, in North Carolina Museum of Art: Handbook of the Collections, Rebecca Martin Nagy, ed. (Raleigh: North Carolina Museum of Art, 1998), 186, illus. (color). Pissarro: Critical Catalogue of Paintings (Milan: published for Wildenstein Institute, Paris, by Skira Editore, 2005), cat. no. 1143 (as The Gare d'Orléans, Saint-Sever, Rouen, Effect of Mist), illus. (color). Joseph P. Covington, entry for The Saint-Sever-Bridge, Rouen: Mist, in North Carolina Museum of Art: Handbook of the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 2010), 380, illus. (color) 381. Morrice et Lyman en compagnie de Matisse (Québec: Musée national des beaux-arts du Québec, 2014) (exhibition catalogue), illus. (color) 191, fig. 32 (catalogue only, not in exhibition).

Exhibition HistoryPittsburgh, PA, Carnegie Institute, "4th Annual Exhibition," November, 1899-January, 1900, no. 182. Raleigh, NC, North Carolina Museum of Art, "Exhibition Number One from the Permanent Collection," October 1970, 102, illus. (color) 103. Richmond, VA, Virginia Museum of Fine Arts, "Masterpieces from the North Carolina Museum of Art," March 11-April 13, 1975, no. 34. Charlotte, NC, Charlotte Campaign Fund Benefit, November 30, 1978. Memphis, TN, The Dixon Gallery and Gardens, "Homage to Camille Pissarro: The Last Years, 1890-1903," May 18-June 22, 1980, no. 10, illus.. Tokyo, Isetan Museum of Art, "Retrospective: Camille Pissarro," March 9-April 9, 1984; Fukuoka, Fukuoka Art Museum, April 25-May 20, 1984; Kyoto, Kyoto Municipal Museum of Art, May 26-July 1, 1984, no. 55, illus. Jerusalem, The Israel Museum, "Camille Pissarro," October 11, 1994 February 9, 1995. New York, NY, The Jewish Museum, "Camille Pissarro: Impressionist Innovator," February 26-July 16, 1995. Le Havre, France, Musée d’Art modern André Malraux, “Pissarro dans les ports – Rouen, Dieppe, Le Havre,” April 27–September 29, 2013, cat. no. 39, illus. (color) 67, fig. 49. Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present.

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