Skip to main content
Marcus and Travis
Marcus and Travis

Marcus and Travis

Artist Bill Bamberger American, born 1956
Date2000; printed 2005
MediumGiclée digital print
DimensionsPaper: 49 1/4 x 44 in. (125.1 x 111.8 cm)
Image: 42 x 42 in. (106.7 x 106.7 cm)
Frame: 56 1/4 x 50 1/4 x 2 1/2 in. (142.9 x 127.6 x 6.4 cm)
ClassificationsPhotography
Credit LinePurchased with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art
Object number2005.2.1
On View
Not on view
Label TextBill Bamberger’s documentary photography projects look closely at aspects of contemporary American life with an unflinching and compassionate eye. The four works acquired by the Museum are from an ongoing series, Boys Will Be Men, which he started in the 1980s. The works on view were taken at an urban high school—Flint Central High School, in Michigan—where the majority of the student body was African American and working class.

In Bamberger’s words, “Boys Will Be Men is about the culture of maleness. The work is concerned with how boys relate, their simultaneous camaraderie and isolation, and their view of themselves as shaped by their expectation of what it is to be a man.”

Bamberger’s photographs are evidence of his profound interest in his subjects, his investment in his relationships with them, and the extreme sensitivity and insight he has in interpreting their lives through his photographs. His total immersion in a community enables him to create emotive and compelling portraits that reveal a genuine and equal relationship between photographer and subject.
[L. Dougherty, 2010]
ProvenanceCreated Flint, MI, 2000, printed 2005; collection of the artist; sold to NCMA, 2005.
Published ReferencesBill Bamberger, Boys Will Be Men (exhibition catalogue) (Flint, MI: Flint Institute of Arts, 2002), illus. front cover.
Exhibition HistoryFlint, MI, Flint Institute of Arts, "Boys Will Be Men," May 17-July 21, 2002, illus. front cover.

Raleigh, NC, North Carolina Museum of Art, "Contemporary NC Photography from the Museum's Collection," (part 2) November 19, 2006-February 18, 2007.

Winston-Salem, NC, Southeastern Center for Contemporary Art (SECCA), "Contemporary North Carolina Photographs from the North Carolina Museum of Art," October 28, 2007-March 2, 2008.

Raleigh, NC, North Carolina Museum of Art, “Close to Home,” August 18, 2013–February 9, 2014.

Raleigh, NC, North Carolina Museum of Art, “The Energy of Youth: Depicting Childhood in the NCMA’s Photography Collection,” September 26, 2015–April 3, 2016.

Raleigh, NC, North Carolina Museum of Art, “To Be Young: Coming of Age in the Contemporary” [Part 1], April 3, 2021–September 26, 2021.
Object Rights Statement

The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.

Deandry
Bill Bamberger
2001; printed 2005
Anthony
Bill Bamberger
2000; printed 2005
Leroy
Bill Bamberger
2000; printed 2005
Pescado, Cuba
David Spear
2005
Daxi, China
David Spear
2006
Juana Paloma, Mexico
David Spear
1998
Devonte
Titus Brooks Heagins
2008
Lakou Devan
Titus Brooks Heagins
2007
Fabienne
Titus Brooks Heagins
2009
Thought Series #2305
Bill Jacobson
1997