Portrait of a Man, possibly Sir Robert Sidney (1563–1626)

ArtistAttributed to Daniël van den Queborn Flemish, circa 1552–circa 1602

Date1585–1590

MediumOil on canvas

Dimensionsoverall: 46 1/2 × 33 5/8 in. (118.1 × 85.4 cm)
frame: 52 1/4 × 39 1/2 × 2 in. (132.7 × 100.3 × 5.1 cm)

ClassificationsPaintings

Credit LineGift of Mr. and Mrs. James MacLamroc

Object numberGL.67.13.8

DescriptionThree-quarter length (originally full-length) portrait in yellow costume, standing in front of table with green tablecloth and engraved helmet, wearing engraved breastplate, holding pike.

On View

Not on view

Provenance[All Balliol Scott family property, presumed to include the NCMA’s eight “Scott” portraits, pass through various branches of the family of Scots’ Hall, Smeeth, Kent, England]; George Scott (1673–1728); by descent to Edward Scott (1710–1765), Scot’s Hall, Smeeth, ca. 1728: by descent to Francis Talbot Scott (1745–1789), 1765; Scott family portraits are transferred to Caroline Scott (1751–1809) and her husband George Best (1760–1818), Chilston Park, Kent, England, ca. 1784–1795; by descent to Thomas Fairfax Best (1786-1849) and Margaret Anna Brett Best (d. 1882), London, Chilston Park, and Weirton Park, Boughton Monchelsea, Staplehurst, Kent, 1818; by descent to Frances Best and her husband, Major William Henry Archer, 1882; by descent to their son Major Henry Alan Fairfax Best Archer and his wife, Catherine Maria Scott; paintings sold to Sir Edward Arthur Barry (1858–1949), who married Scott descendent Eleanor Margaret Scott (d. 1916), Ockwells Manor, Berkshire, England, between 1891 and 1916; paintings sold to Colonel Frank Douglas Scott, Sir Edward Arthur Barry allows the portraits to remain at Ockwells Manor, Berkshire, England, 1947; sold to James G. W. MacLamroc, Greensboro, NC, 1965 [portraits come directly to NCMA in June 1965]; given to NCMA, 1969. [PDF of Unedited Provenance notes is attached to this TMS record.]

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