Portrait of a Man, possibly Sir Robert Sidney (1563–1626)

ArtistAttributed to Daniël van den Queborn Flemish, circa 1552–circa 1602

Date1585–1590

MediumOil on canvas

Dimensionsoverall: 46 1/2 × 33 5/8 in. (118.1 × 85.4 cm)
frame: 52 1/4 × 39 1/2 × 2 in. (132.7 × 100.3 × 5.1 cm)

ClassificationsPaintings

Credit LineGift of Mr. and Mrs. James MacLamroc

Object numberGL.67.13.8

On View

Not on view

Provenance[All Balliol Scott family property, presumed to include the NCMA’s eight “Scott” portraits, pass through various branches of the family of Scots’ Hall, Smeeth, Kent, England]; George Scott (1673–1728); by descent to Edward Scott (1710–1765), Scot’s Hall, Smeeth, ca. 1728: by descent to Francis Talbot Scott (1745–1789), 1765; Scott family portraits are transferred to Caroline Scott (1751–1809) and her husband George Best (1760–1818), Chilston Park, Kent, England, ca. 1784–1795; by descent to Thomas Fairfax Best (1786-1849) and Margaret Anna Brett Best (d. 1882), London, Chilston Park, and Weirton Park, Boughton Monchelsea, Staplehurst, Kent, 1818; by descent to Frances Best and her husband, Major William Henry Archer, 1882; by descent to their son Major Henry Alan Fairfax Best Archer and his wife, Catherine Maria Scott; paintings sold to Sir Edward Arthur Barry (1858–1949), who married Scott descendent Eleanor Margaret Scott (d. 1916), Ockwells Manor, Berkshire, England, between 1891 and 1916; paintings sold to Colonel Frank Douglas Scott, Sir Edward Arthur Barry allows the portraits to remain at Ockwells Manor, Berkshire, England, 1947; sold to James G. W. MacLamroc, Greensboro, NC, 1965 [portraits come directly to NCMA in June 1965]; given to NCMA, 1969. [PDF of Unedited Provenance notes is attached to this TMS record.]
Published ReferencesPerry Hurt, “Young Man with the Red Earring,” in North Carolina Museum of Art Preview (Winter 2015), discussed 22–24, illus. (color) 23, details (color) 25, ultraviolet images, 24–25.

Edward Town and Jessica David, "Daniël van den Queborn, painter to the House of Orange and its English allies in the Netherlands" in Migrants: art, artists, materials and ideas crossing borders (Cambridge: Archetype Publications in association with the Hamilton Kerr Institute, University of Cambridge, 2019), illus. (color) 24, fig. 9, as "Portrait of a Gentleman Wearing a Breastplate, possibly Col. George Goring".Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, “History and Mystery: Discoveries in the NCMA British Collection,” August 6, 2016–June 25, 2017.

Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–May 29, 2024. Object Rights Statement

The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.