Portrait of Aernout van Overbeke (1632–1674)
ArtistAttributed to
Eglon Henrick van der Neer
Dutch, circa 1635/36–1703
Datecirca late 1650s–early 1660s
MediumOil on canvas
Dimensions13 3/8 x 11 5/8 in. (34 x 29.5 cm)
Frame: 19 1/2 x 18 1/4 x 1 1/2 in. (49.5 x 46.4 x 3.8 cm)
Frame: 19 1/2 x 18 1/4 x 1 1/2 in. (49.5 x 46.4 x 3.8 cm)
ClassificationsPaintings
Credit LineGift of William Miesegaes
Object numberG.68.38.1
On View
Not on view"Acquisitions," North Carolina Museum of Art Bulletin 9, nos. 1 and 2 (December 1969), listed 56, illus. (b-w) 59.
Gazette des Beaux Arts, La Chronique des Arts 75 (February 1970), no. 1213, illus.
Dennis Weller, "Praise the Frame," North Carolina Museum of Art Preview (1995-96 Annual Report), illus. (b-w) 29
Dennis P. Weller, "New Installation of Dutch Kabinet Paintings," Preview: The Magazine of the North Carolina Museum of Art (July/August 2007), briefly discussed 11.
Dennis P. Weller, "Eglon van der Neer's 'Portrait of Aernout van Overbeke': the frame makes the man," The Burlington Magazine 151, no. 1271, 98-101, illus. (color) 99.
Dennis P. Weller, Seventeenth-Century Dutch and Flemish Paintings [Systematic Catalogue of the Collection] (Raleigh: North Carolina Museum of Art, 2009), cat. no. 32, illus. (color) 146, also mentioned xii.
Eddy Schavemaker, Eglon van der Neer (1635/36–1703): His Life and His Work (Doornspijk: Davaco Publishers, 2010), cat. no. 32, illus. (color) pl. 12.
Rudolph M. Dekker, Humor in Dutch Culture of the Golden Age (New York, NY: PALGRAVE, 2001).
E. de Jangh, "So Near and Yet So Far...," Jansteen Chapman: Painter and Story-Teller (1996). Object Rights Statement
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