Central panel of a triptych: Virgin and Child “Hodegetria”; (in the spandrels above) The Annunciation
ArtistWorkshop of
Berlinghiero di Melanese
active 1228, Lucca; d. before 1236, Lucca
Datecirca 1225–1250
MediumTempera and gold leaf on panel
Dimensions28 1/4 x 19 1/4 in. (71.8 x 48.9 cm)
Frame: 33 3/8 x 23 1/2 in. (84.8 x 59.7 cm)
Frame: 33 3/8 x 23 1/2 in. (84.8 x 59.7 cm)
ClassificationsPaintings
Credit LineGift of Wachovia Bank and Trust Company
Object numberGL.57.16.1
On View
On viewProvenancePrivate collection, Llandaff, Glamorganshire, Wales (early 20th century); K. Duggan Collection, Stanford-de-Hope, Essex, England; sale, Christie's, London, June 13, 1952, lot 133 (as Sienese school); sale, Kende Galleries, New York, September 10,1952, lot 15 (as Sienese school); [purchased by] with Piero Tozzi Galleries, New York, until 1957; irrevocable loan to NCMA from Wachovia Bank and Trust Co., 1957; gift of Wachovia Bank and Trust Co. to NCMA, 1959.
Published ReferencesCatalogue of Old Pictures and Drawings from Christie, Manson, & Woods, Ltd. and Various Other Sources (auction catalogue) (London: Christie, Manson, and Woods, 13 June, 1952), lot 133 (as Sienese).
Kende Galleries, Paintings of the XVII - XIX Century...from a Private Collection (New York: Kende Galleries, September 10, 1952), lot 15, illus. 9 (as Sienese School).
Helen Comstock, "Berlinghio [sic] Berlinghieri Madonna,"The Connoisseur 132 (131?), no.128 (May 1953), 134.
W. R. Valentiner, "A Madonna by Berlinghiero Berlinghieri," North Carolina Museum of Art Bulletin 1, no. 2 (Summer 1957), 1-3, illus (b-w) front cover. Also see "Opening of Four New Galleries of Early Sculpture and Decorative Arts," mentioned 22.
Edward B. Garrison, "Addeda ad Indicem V: 1. A New Berlinghieresque Madonna," from Studies in the History of Medieval Italian Paintings, Vol. 3 (Florence: L'Impronta, 1957-58), 261-4, illus. 263.
Masterpieces of Art: In Memory of William R. Valentiner, 1880-1958 (exhibition catalogue) (Raleigh: North Carolina Museum of Art, 1959), cat. no. 25, illus. (b-w) 49, fig. 25.
Mediaeval Art (exhibition catalogue) (Chapel Hill: William Hayes Ackland Memorial Art Center, 1961), cat. no. 1, illus. 8.
The Tar Heel Banker (December 1964), illus. front cover.
Charles W. Stanford, Masterpieces in the North Carolina Museum of Art (Raleigh: North Carolina Museum of Art, 1966), no. 27, illus. (b-w).
Edgar Peters Bowron, ed., Introduction to the Collections (Chapel Hill: published for the North Carolina Museum of Art, Raleigh, by The University of North Carolina Press, 1983), illus. (b-w) 171.
Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 154.
I. Belli Barsali, "Berlinghiero," in Dizionario biografico degli italiani, 9 (Rome, 1967), 125.
A. Caleca, Momenti dell' Arte a Volterra (under Croce at Fuecchio).
La Pittura a Firenze nel Duecento (Florence, Alberto Bruschi, 1990).
Elizabeth Ayr, Thirteenth-Century Imagery in Transition: The Berlinghiero Family of Lucca (Ph.D. dissertation, Rutgers University, 1991), 51-3, 265-73 (cat. xx), 342 fig. 23 (as Lucchese Master, 1250-60).
Miklos Boskovits, The Origins of Florentine Painting [Corpus, I:1] (1993), 73, n. 146 (as Berlinghiero, c.1230, a late work). (Also note ptg. in p.c., Torino--Croce di Lucca.)
Rebecca Martin Nagy, entry for Madonna and Child, in North Carolina Museum of Art: Handbook of the Collections, Rebecca Martin Nagy, ed. (Raleigh: North Carolina Museum of Art, 1998), 116, illus. (color).
Jo Woestendiek, "What Child is This?", Winston-Salem, NC: Prime Times (November 15, 2000), discussed briefly 12, illus.
Perri Lee Roberts, Corpus of Early Italian Paintings in North American Public Collections: The South, Vol. 3 (Athens, GA: Georgia Museum of Art, University of Georgia, 2009), discussed 606, illus. (b-w) 607.
Rebecca Martin Nagy, entry for Madonna and Child, in North Carolina Museum of Art: Handbook of the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 2010), 244, illus. (color) 245.
Lyle Humphrey, "Saul Among the Prophets: W.R. Valentiner, Robert L. Humber, Carl W. Hamilton, and the Italian Collection at the NCMA," Lisandra Estevez, ed., Collecting Early Modern Art (1400-1800) in the U.S. South (Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2021), 37, 39, illus. fig. 2-3 (color).
Exhibition HistoryRaleigh, NC, North Carolina Museum of Art, "Masterpieces of Art: In Memory of William R. Valentiner, 1880-1958," April 6-May 17, 1959, cat. no. 25, illus. (b-w).
Chapel Hill, NC, The William Hayes Ackland Memorial Art Center, "Mediaeval Art," April 28-May 20, 1961, cat. no. 1, illus. 8.
Raleigh, NC, North Carolina Museum of Art, “Miracle on Morgan Street: The Foundations of the NCMA, 1946–1960,” September 16, 2020–April 11, 2021.
Raleigh, NC, North Carolina Museum of Art, "The People's Collection, Reimagined," October 7, 2022–present.
Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380
Neroccio di Bartolomeo de' Landi
circa 1475–1480
Francescuccio Ghissi (Francesco di Cecco Ghissi)
circa 1370–1380
Mariotto di Nardo
circa 1400–1410
Guariento di Arpo
circa 1360