Alexander and the Family of Darius
Artist
Sebastiano Ricci
Italian, 1659–1734
Datecirca 1708–1710
MediumOil on canvas
Dimensions76 x 96 in. (193 x 243.8 cm)
Frame: 78 1/8 x 99 1/8 x 2 3/4 in. (198.4 x 251.8 x 7 cm)
Frame: 78 1/8 x 99 1/8 x 2 3/4 in. (198.4 x 251.8 x 7 cm)
ClassificationsPaintings
Credit LinePurchased with funds from the State of North Carolina
Object number52.9.165
On View
On viewBrooks Memorial Art Gallery, Memphis, TN, Sebastiano and Marco Ricci in America, 1965-66, cat. no. 61, illus. 51 (catalogue only, not included in exhibition).
Jeffrey Daniels, Sebastiano Ricci (Sussex: Wayland Publishers, 1976), cat. 366, illus. fig. 209.
Edgar Peters Bowron, ed., Introduction to the Collections (Chapel Hill: published for the North Carolina Museum of Art, Raleigh, by The University of North Carolina Press, 1983), illus. (b-w) 205.
Introduction to the Collections, rev. ed. (Raleigh: North Carolina Museum of Art, 1992), illus. (b-w) 192.
Art Taylor, "Museum Loans," Preview: The Magazine of the North Carolina Museum of Art (March/April 2002), mentioned 7.
Yvon Le Gall, L’Anziana: Iconographie de la vieillesse feminine dans I’Italie de la Contre-réforme (Limoges: Presses universitaires de Limoges, 2016), 246, illus. (color), 247, fig. 73.
Exhibition HistoryWilmington, NC, Louise Wells Cameron Art Museum, "Eighteenth Century Paintings and Sculptures From the North Carolina Museum of Art," April 21, 2002-March 30, 2003.
Raleigh, NC, North Carolina Museum of Art, "The People's Collection Reimagined," July 8, 2024-present.
Object Rights Statement
The North Carolina Museum of Art (NCMA) makes images of its collection available online to support research and scholarship and to inform and educate the public. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, or related interests not owned by the NCMA. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the applicant. To request images and/or permissions from the NCMA, please complete our online request form.
Philippe de La Hire